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Teatro Nuovo
  • Home/
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    • 200-years-of-italian-opera-in-america
    • Events
    • Artist Profiles
    • Meet Our Orchestra
    • Past Seasons
  • About/
    • About Teatro Nuovo
    • Resident Artist Program
    • Press
    • Leadership
    • Why We’re Here
    • Our Performance Style
  • Media/
    • Bel Canto Collection
    • Record of the Week
    • Varia
  • Gift Shop/
  • Support Us/
Teatro Nuovo

Cutting-edge reinterpretation of Bel Canto opera, with an approach that delves deep into historical style and a full period-instrument orchestra.

Orchestra

Teatro Nuovo
  • Home/
  • Seasons/
    • 200-years-of-italian-opera-in-america
    • Events
    • Artist Profiles
    • Meet Our Orchestra
    • Past Seasons
  • About/
    • About Teatro Nuovo
    • Resident Artist Program
    • Press
    • Leadership
    • Why We’re Here
    • Our Performance Style
  • Media/
    • Bel Canto Collection
    • Record of the Week
    • Varia
  • Gift Shop/
  • Support Us/
July 13, 2025

Paula Waisman, violin

July 13, 2025/ Teatro Nuovo

Paris, France

Violin:
Matthieu Besseling, Amsterdam, Netherlands, 2021

19th-century English bow:
H.F. Grabenstein 1999, classical bow / 19th century anonymous English bow

Previously with Teatro Nuovo:
2023~26

July 13, 2025/ Teatro Nuovo/

Teatro Nuovo

  • Rebecca Nelson, violin
  • Alyssa Campbell, violin
  • Home/
  • Seasons/
    • 200-years-of-italian-opera-in-america
    • Events
    • Artist Profiles
    • Meet Our Orchestra
    • Past Seasons
  • About/
    • About Teatro Nuovo
    • Resident Artist Program
    • Press
    • Leadership
    • Why We’re Here
    • Our Performance Style
  • Media/
    • Bel Canto Collection
    • Record of the Week
    • Varia
  • Gift Shop/
  • Support Us/

Teatro Nuovo

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Tickets on Sale

About the season:

200 Years of Italian Opera in America

Lorenzo da Ponte’s 1826 preface to Il Don Giovanni

Record of the Week

Record of the Week 3
When the Twain Began to Meet
May 29, 2024
When the Twain Began to Meet
May 29, 2024

71 - When the Twain Began to Meet
Yi-Kwei Sze

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May 29, 2024
Saving Time
September 5, 2022
Saving Time
September 5, 2022

70 - Saving Time
Francesco Tamagno

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September 5, 2022
image+2+-+Mason+embarking%2C+undated+news+photo.jpg
August 29, 2022
August 29, 2022

69 - Illusion
Edith Mason

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August 29, 2022
Image+1+-+Patti+as+Rosina%2C+c.+1861+-+photo+by+Camille+L%C3%A9on+Louis+Silvy.jpg
August 1, 2022
August 1, 2022

68 - Queen of Song
Adelina Patti

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August 1, 2022
Image%252B1%252B-%252BSchumann-Heink%252Bin%252B1918.jpg
July 25, 2022
July 25, 2022

67 - Mother Schumann
Ernestine Schumann-Heink

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July 25, 2022
Image+1.jpg
July 18, 2022
July 18, 2022

66 - Comprimario
Gaetano Pini-Corsi

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July 18, 2022
Image 1 Plançon in 1894, photo portrait by Falk.jpeg
June 14, 2022
June 14, 2022

65 - But Those Days I Find No More
Pol Plançon

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June 14, 2022
image+1+-+Fuge%CC%80re+as+Falstaff%2C+1894.jpg
October 19, 2020
October 19, 2020

64 - Encore Verdi
Lucien Fugère, Albert Saléza


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October 19, 2020
Image 4 - Soulacroix in unidentified role.jpg
October 12, 2020
October 12, 2020

63 - Les adieux de Verdi
Original Paris casts of Otello and Falstaff

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October 12, 2020
Image+3+-+De+Hidalgo%2C+undated+publicity+photo.jpg
September 14, 2020
September 14, 2020

62 - Teenagers
Various singers recorded at 14 to 19

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September 14, 2020
Image+1+-+Malibran+as+Romeo.jpg
September 7, 2020
September 7, 2020

61 - Ancient Vaccai
Armida Parsi-Pettinella, Guerrina Fabbri, Elisa Petri

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September 7, 2020
Varia
2+Mehmet+II+%28Maometto%29%2C+15th-century+Turkish+miniature.jpg
Mehmed the Conqueror, the Historical Maometto
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Authentic Historical Performance Practice for Audiences
Authentic Historical Performance Practice for Audiences
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The Guilty Magpie?
The Guilty Magpie?
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Discussion with Will Crutchfield, Jonathan Brandani, and Jakob Lehmann - Part 1
Faculty Interviews
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Billy Whitlock recording a song.jpg
Listening to Ancient Voices
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Serangeli_Pasta.jpg
About Giuditta Pasta
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Tancrède_de_Hauteville.jpg
Who was Tancredi?
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conductor.png
What happened to the conductor?
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Operatic Pop Tune.png
The first operatic pop tune?
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